Day One: Structure, Tone, and Atmosphere

On day one we will begin by creating some simple tonal sketches that will help you to observe the overall structure of the landscape. Using Notan sketching helps you to break down the landscape into its fundamental dark and light shapes. I will also demonstrate the different types of compositions that can occur in landscape painting, such as C-shapes, the rule of thirds, cruciforms and S-curves

Using our tonal studies we will then undertake a number of short painting exercises that allow you to play with different paint application techniques; such as glazing, scumbling, washing out and wiping back. The aim here will be to show you how to achieve a soft atmospheric edge to your brush marks, and to give you a process to follow for building up a painting that doesn’t rely on you simply filling in shapes. By the end of the first day, you should have a number of sketches and small works from which to draw inspiration.

Day Two: Colour, Texture, and Large-Scale Painting

We will spend day two taking one of our sketches and working it up into a more resolved piece of work on a wooden panel. I will show you how I begin a painting using a loose under drawing in carbon pencil before establishing layers of colour and allowing a different type of work to emerge. I want to show you that when we work from our sketches, we are not simply trying to replicate them on a bigger surface but aiming to create something new from the interaction between our preparatory work and our involvement in the creative process.

On day two I will show you how to:

·         Define architectural and natural forms using line on textured surfaces. We will experiment with dry media to add character and narrative to our work.

·         Use mark making and repeated motifs to capture the drama and vivid colours of autumn, expressing both movement and emotion within your compositions.

·         Return to the paint effects we enjoyed on day one and use them to create a piece of work on a 40cm by 40cm panel.

What You Will Take Away

By the end of the weekend, you will have produced a collection of sketches, studies, and a finished painting. More importantly, you will leave equipped with a range of new techniques, ideas, and approaches to continue exploring the beauty and energy of autumnal landscapes in your own work.

 Who Should Attend?

This course is suitable for artists of all levels who are interested in developing their landscape painting skills and exploring the interplay between place, narrative, and creativity.

About the Location

The venue, Hook Norton Memorial Hall, is conveniently located on Chapel Street in the picturesque village of Hook Norton (postcode: OX15 5JT). The village offers a tranquil escape and serves as the perfect backdrop for a weekend of creativity. Please note, on-street parking near the hall is limited, so it’s advisable to arrive early. Additional parking can be found on the High Street or on Sibford Road—both are just a short stroll from the venue. Make sure to allow yourself a little extra time to find parking and settle in comfortably before the sessions begin.

These workshops tend to fill up quickly, so I encourage you to book early to avoid disappointment. Whether you’re embarking on your first steps into painting or looking to invigorate your existing practice, this course offers the perfect blend of practical skills, supportive guidance, and creative inspiration.

I can’t wait to welcome you for two days of painting, laughter, and discovery!

Note

All booked places are non-refundable, except when a workshop is cancelled or in exceptional circumstances. Exceptional circumstances include but are not limited to medical emergencies, natural disasters, or other unforeseen events that prevent attendance. If the class is sold out and I can your resell your spot to someone on the waiting list, you will receive a credit for the ticket value minus the booking fees.