Confessions of a straight lace



This is my 2013 vision board.
Owing to various circumstances I didn't finish it until last week.
I've had the images stashed away for ages, the words rolling around my head. I know how I want this year to feel.
The thing is this: I'm worried about that word Wild. I don't think I am capable of being Wild. Not really.
That woman up there, on that board, she is so intimidating to me right now.
I was teaching my watercolour class yesterday. We were painting images of rambling gardens. Lovely English cottage gardens. Lupins, poppies, alliums. Little stone benches. Willow trees bowing in a light June breeze and little gateways hidden behind over grown foliage. I had one of those rare moments where you actually recognise your own contentment at the time you are feeling it. I had found a little patch of sunlight to sit in. There was the sound of paintbrushes in water and I think I might have heard a cookoo in the distance.
On Monday I will pop over to Hornton, the village my mum comes from. A lot of my family still live there and there will be proper Mayday celebrations. There will be a Maypole. Homemade cake and cider in the pub garden.
I don't know how to be that woman; wild, unapologetic, natural and brave, in these quaint settings. That little word. It just popped into my head without me giving it a huge amount of thought as to what it meant to me. And, of course, in my woefully naive way, I have become worried that it might mean going out when I don't want to, drinking when I don't want to, talking to people when I don't want to, talking to men when I don't want to. I'm worried it might mean accidentally becoming something I'm not. Which I have accidentally done before.

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Ok. It's three hours later. I very often write blog posts that I don't publish, mainly because they are a bit open ended.
I have decided to define what this word means to me.
Wild.
It means being slightly more audacious.
It means apologising less.
It means tending to my own needs before everyone else's.
It means listening to my body more.
It means calling people out on their bullshit. Quietly and politely. And then probably running away and hiding.
It means, actually, just doing what I bloody well want to do. Without reference to any of the dozens of people I nod at and say hello to as I walk from one end of this small town to the other.

The free-range artist




Christmas is over and I'm finally working on a few paintings. Today I finished one that has been languishing for well over six months. I also started another. That felt good. I did all this fuelled by double chocolate and raspberry brownies. I decided a couple of days ago that January would be the month I cut down on sugar. That lasted then.

I don't think I ever really liked the idea of having a pristine white studio space, shared with other hipsterish artists, seriously working away whilst we talked about gallery representation and listened to Autechre. I think I do much better working out of my living room, on my own, glass of cava just out of shot, Boromir getting shot by orcs on the TV in the background (and then dying beautifully) for what seems like the fifth time this Christmas. (Note to self, must find new box sets to watch whilst painting).

Across these two tables (one on loan from my brother, one from Ikea £14) are the collection of random and useful objects helping me work at the moment.

Candles, always.
Pile of Moleskine notebooks for journalling, notes, poetry etc
Pile of handmade paper.
Yellow A5 Finsbury Filofax (Xmas prezzie from mum and dad)
Nourishing reading matter.
Crime novel (January is all about crime fiction)
Brushes, paints etc
Feathers
Bright pink poster paint
Karma bubble bath bar from Lush (it smells amazing and every now and then I catch a whiff of it and just think mmmmm)
Knitted owl gloves made by mum. Slightly too small. They limit my hand movements somewhat but i am determined to break them in.
A little stuffed and stitched handmade mouse. Gifted to me by one of the tutors at work late last year when I was in the middle of a stress related meltdown.
Sharpie markers
Washi tape (a growing addiction)
Dirty paint water
Earphones
Course file for my classes
Pile of magazines inc County Living (even though I live in the middle of a large town) and The Simple Things. Both are essential for decent vision boarding and daydreaming about cosy fires, woodland walks, suppers that include all manner of rare and lovely foodstuffs and rugged yet sensitive blokes in fairisle jumpers.
Broken glass lampshade (cracked side facing the wall)

There. You can keep your sparsely furnished converted warehouses. This is all I need.


Scenes from a weekend





So, whilst most grown ups I know had plenty of very important things to do this weekend, I spent my Saturday evening making my first batch of French macaroons (or is it macarons?) and practicing flicky eyeliner. The macaroons were a bit lumpy but they tasted good. I still cannot perfect the art of the eyeliner flick. I have an art degree. I paint pictures in a notoriously difficult medium that requires patience and a very steady hand. WHY CAN'T I DO FLICKY EYELINER FOR GOD'S SAKE??!!

After an hour or so of pondering, I came up with this answer: I usually paint on a fairly expensive watercolour paper. My eyelid is not a smooth sheet of paper. It is rough terrain. This may take some time.